oooohhh man.
After trying to mix 30 or so tracks to find the perfect one to flow in with the previous track, it starts to drive me batty. Like half the records I'm using don't follow standard formula, so timing it/etc. to pick up the second the previous record drops on the right key/flow is also killing me. I'm not really using any quick cuts on this mix, mostly long blends.
I dug through my entire collection (approx. 2000 records) twice to find this one track, It's an aquasky remix called booty in the bombshell or something like that, on the airplane label, and it's MIA. arrgh. (I don't have sound on, but I'm 99% sure it's this:
http://www.youtube.com/watch?v=XNgNWbKaUWk )
Mixing for something recorded is a totally different game than a live gig. Usually I'll just grab 40 or 50 records along a couple of different moods for my hour long set and sort of set it up on the fly with a couple of well rehearsed mixes.
I can draw up my tracklist thusfar when I get home from the library, but here's track I think you'd be down with on it, it's an Aesop Rock collaboration with Evil Nine, called Crooked:
http://www.youtube.com/watch?v=U6dxYka2tRk
